Here's the scanned/somewhat-cleaned rough sketches practicing drawing foxes for coming up with a design for storyboarding my Eyewitness animated short.
There's just mostly practice. They're NOT the greatest, hence why I need to get doing some croquis practice SOON. I kept putting it off the past 2 weeks. So, if I DON'T get to the gym or watch Rogue One tomorrow, then I WILL most likely do it tomorrow. *crosses fingers*
I've been doodling, practicing, and sketching up all kinds of studies of foxes for a while now. My time is so screwy, because my kid keeps having off the wall medical problems EVERY DAMNED WEEK. Today, she got worms! Yesterday she had severe nosebleeds that grossed out the teachers, and they made her go home after the 4th or 5th gush. But, we fixed that up with VITAMIN C + antioxidants like I SAID, really fast, only to find out she got parasites, all that PLUS she her shipment of blood meds arriving the day before that, and a hospital visit the previous days before that... This is NOT the way I EVER planned to live, DID NOT expect, nor EVER intend to live, and yet it keeps ongoing... I just want to get my film done for UMASS which is supposed to be screened on the 20th, plus I have to take her to a doctor tomorrow, fit work in somehow, and THEN go to an event at night... If I COULD edit videos at home, I WOULD. But, my 2009 comp + video cards, plus 4 year old Apple laptop can;t edit HD videos in Davinci Resolve, and i don;t have Adobe CS. Honestly, if she doesn;t stop having these medical problems by next semester i WILL drop out. I CANNOT HANDLE THIS. I'm PAST MY LIMIT. This is EVERY FRICKIN WEEK MORE THAN ONE THING. Either her, or me, or SOMETHING else. Also, my credit card numbers got robbed this week as well.
So, since I can't edit videos at home, and can ONLY do it at school, and I was just SO tapped out today I couldn't go, I can;t work on my film until HOPEFULLY MONDAY. I say HOPEFULLY because the last 2 Mondays I COULD NOT MAKE IT TO SCHOOL.... because she's dying of whatever else... shock- horror- drama- I'm FED UP! Ergo, when I go through periods where I'm at home, stuck here, and can;t do ANYTHING, because those happen too... and I HATE feeling, or being unproductive after a certain point.... yeah, most of today I sat and watched YouTube & Snapchat... ERGO: I'm working on designing the wild fox character for the storyboards I HOPE to do after I'm done with my film...
Mostly I'm just practicing from various references, trying to come up with my own original design... I've been trying to sketch actual photos of foxes on Google, which too many are fluffy winter foxes. My scene is SUMMERY so I need a SUMMER COAT FOX which is slender.
When I reference other artists, animators, and cartoonists, they all tend to draw foxes with stubby legs, weasel-like, too dog-like, too cat-like, or some look doofy. Altho' I loved some really good designs out there, they just weren't true to what fox actually looked like. Foxes actually have long, slender, spindly legs. many artists also try to portray the fox with their heads and necks down, but real foxes have upright heads UNLIKE a weasel, and their necks jut either strait up, or with a slight angle. But, ALWAYS upright.
Some really nice designs I found when trying to see how other artists interpreted a fox for animation was a nice one on a blog by Toni REYNA. And, a FAVORITE of mine was by TheUrbanFOX on DeviantART. But, like I said, i need to come up with my OWN design.
So, I'm still trying to go with the whole Preston Blair formula style with geometric shapes, stylized, yet still semi-realistic, yet simplified.
So far, most of the sketches I've done have been more of a practice sketching and doodling to try and get to know and understand what a fox is, how it looks, but also what makes it look cool as a cartoon. Real foxes also have a very strong personality, and every move and gesture is so full of its unique personalities, and foxes have this intense prettiness to them. I also haven;t quite nailed down the scale of their ears yet.
Here's a progression of what I've been practicing so far:
A photo posted by Kandice Kathleen Zimbleman 任思麒 (@blackunigryphon) on
Well, that's it for the moment... I'm guessing that whenever I feel the urge, I'll probably be sketching more with this... I'm so annoyed that I cannot work on my film. When i went to AIPH I could work nonstop whenever I felt like it. But, going to UMASS Boston isn't anything like that, plus I have all these other responsibilities, and pressures.
I did get to do some sketching practice once in a while, whenever I wasn't doing something UMASS related or hospital related, because my kid could've bled to death, and still has this issue ongoing.
Djehkäujaa was especially on my mind for most of November. I would very much like her singing voice to be someone like the late Melanie Thornton (La Bouche), who's anniversary passing just occurred. It was interesting because I'd totally forgotten it was that time, and my art practicing with Djehkäujaa was way surpassing my expectations out of no where, and I kept thinking about Melanie. I know I'm such a baby over it, but it stings.
Miss u Melanie!
Here's the sketches as I got them going last month:
If you want to see the full version on DeviantART of Djehkäujaa's nude sketch it's HERE but u need to be logged in because it's censored due to nudity.
I still want to continue practicing sketching, human anatomy, and continuing working on developing & refining the characters for "Zenith", but as things come to me, sometimes I need to take advantage of what is happening and go with it to make the most of my times. I definitely still plan on developing more with Djehkäujaa and Ao Xingtao, but I really want to try to push through these storyboards before February.
I'm not sure exactly how this this little wild fox character will turn out yet, since I just started last night by sketching from wild life photos on Google of foxes, but I need way more practice.
It's a VERY short animated short concept. So, I want the characters to look n feel exactly right. I am thinking about keeping Lively much the same, or similar to, way she is in the charcoal piece.
As you can see, the little wild fox is crouching beneath Lively, freaking out over the throng of flying horses landing in the savannah.
As I think about it now, I think I might've actually chosen BLUE charcoal paper due to Erasure's song "Blue Savannah". At the age when I worked on this concept, I owned a moderate stack Erasure CDs (and some tapes) and when I worked on the charcoal picture at home I was playing mostly Erasure's "I Say I Say I Say" album, along with Disney music probably Aladdin, as well as music by Real McCoy, and Fun Factory. I also listened to Soho's "No Hippy Chick", and tracks by Stereo MC.
I'm thinking I probably want to may the fox's paws & legs as black, or dark brown. But, I think probably black. The ears with probably be black. I'm not exactly sure what color i want the fox to be. I wasn't sure if I wanted it to be a brown fox, or a typical red fox. Or, should I go off the wall n make it cherry red?
A photo posted by Kandice Kathleen Zimbleman 任思麒 (@blackunigryphon) on
Anyways, I've consulted my daughter to come up with some concepts & designs herself also for the wild fox. I like a lot of the designs she comes up with. So, I want input from her.
I want the shape & form of the fox to have more geometrical shapes to it. I don't know how to explain this. I want it to be pretty and somewhat cute, but not TOO cute. Not too round like a baby face, and not doofy. I also want it to dart around, and be streamlined.
This could take me some time.
The bulk of my time for now is finishing my film at UMASS this month. Also, today I have VIP tickets to watch The Moscow Ballet perform The Nutcracker in Boston w my daughter thanx to Yelp Elite (because I'm Yelp Elite 2016).
