Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Sunday, October 23, 2016

Art As The Sky [Poem]

By Kandice Kathleen Zimbleman Published HERE on DeviantArt
Art As The Sky


Art is sometimes like The Sky.

And yet, sometimes I feel myself floating and flying through it.
Like daydreams that find you,
And suddenly saturate the mind upon your person,
Flowing as currents that move,

Floating,
Flying,
Motion.....

There is no time,
You are completely free.
You are there, and always there...

Until you are not.
And, just as I reach it,
or be it,
or, am it...
Carried upon my person,
Filling the pockets upon my person,
What seems like forever.....
.....becomes fleeting.

The pockets become empty,
Pockets full of silence,
The empty pockets upon my person...

No pockets upon my person...
No sky within that which environs me...
For what would seem like a crash,
There is no crash.
Inertia is blunt.

Art is like The Sky....

And, yet, I can never reach it.

The confines of what environs me within it's pockets,
upon its person...
The Nothingness which prevents me restitution,
Is the Somethingness  which vetoes my recompense hence.

And, altho' I feel myself as The Sky...
I am The Sky.
I was The Sky.

Art is as The Sky...
And, tho' I could fly...
I couldn't reach it.

Art was as The Sky....
Inertia pressed me to cry,
Thus, I could never reach it...

Like a drop of color into the stream,
I dissolve into mass of flow,
But, it was beneath The Sky....

Didn't you know?
Sometimes, Art is like The Sky....
Tho' I flew,
I could never fully reach it....


The Willows that flow in the breeze represent my mind.

Saturday, July 9, 2016

High Resolution Djehkäujaa Doodles July 2016 001

Some recent rough sketches, concept art, and practes doodles of Djehkäujaa.

ALL RIGHTS RESERVED
©2016 Kandice Kathleen Zimbleman 








Updated this one:



Sunday, June 5, 2016

World Environment Day and Dead Tigers & Trafficking in Thailand Temple

World Environment Day and Dead Tigers & Trafficking in Thailand Temple

This morning, the weather was rainy, and I was was rather uncomfortable, and it was just so hard to get out of bead. All the stretching I did several times throughout the day was as tho' it hasn't happened at all, and all of my muscles, tendons, and ligaments were so sore and tight, and my joints swollen... so, I finally forced myself out of bed once I realized the clock passed 10 AM.... then, I started brewing HOT coffee (since it's a very cold day this morning) even tho' it's JUNE (unthankfully due to climate change), and turned on my computer....
It's WORLD ENVIRONMENT DAY (and I'm an Environmentalist & Eco-Geek) which I'd completely forgotten.... and I opened my YouTube Subscriptions to THIS:


The headline was "Dozens of dead tiger cubs found at a Buddhist temple in Thailand", and the image its self was disturbing!

Unbelievable!!!! I watched the video in utter disbelief & horror!
After al week getting Buddhists and karma believers shouting down my face over eating meat, and now this! It's like a weird modern version of a corruption story of of the "Xi You Ji" (The Journey West by Wu Cheng En about the Monkey King) where monks or monestaries had become overrun with demons, or officials had become corrupt... only, there were no Guanyin Pusa or Sun Wukong to set it right...

It reminded me, very much, of a key plot point in my film/story that I'd written back in the 90s originally (Zenith Beyond Eclipsing The Dragon's Rue) which I am re-developing starting this year, as you already know...  This was somewhat similar to something my main villain/antagonist character was doing, and specifically with tigers and other endangered species... There were animals in jars, but a big scene in the film/story/screenplay was originally with my main villain doing a speech and holding up a tiger skin... (ALL RIGHTS RESERVED © 2016 COPYRIGHT KANDICE KATHLEEN ZIMBLEMAN) it was very neoliberalism/libertarian/anarchist/anarchocaptiolist greed driven brazen machoism in a suit & tie.... and, back then, after I'd written it it was one of those things I'd felt was TOO disturbing and TOO unbelievable, that needed to be toned down and audiences would probably not accept someone to be this evil....

What a horror to awaken to!

This WOKE ME UP!

I wanted to know MORE! So, I began investigating the news all over the internet... and BOY did I find it!

Well..... suffice it to say TIGER SKINS were ALSO in the mix. This story got worse and worse the more articles I found. Animal abuse, corrupt monks, tiger meat, tiger body parts, animal trafficking, plus the fact that its Buddhist AND a monastery/temple makes it even MORE loathsome!

Also, I originally had Ao Xingtao with more Tiger motifs than dragons... I made him more dragon motifs now, but, I think I will utilize them both now... like those old scrolls in Chinatown Philly with yin/yang dragon & tiger artwork.

I will probably incorporate some of the tiger motifs again with Ao Xingtao again... and I think it makes the scene with the main villain/antagonist work better now. Also, it separates Xingtao from Djehkäujaa a lot more because I don't want them to be too similar, even tho' they have similar connections that are secrets or unknown.

WARNING CAUTION:

Anyways, the disturbing truth of the news can be found all over the news. here are just a few of the newest articles:

BBC 40 Dead Tiger Cubs Found in Thailand Tiger Temple
Aljazeer What really Happened at Thailand's Tiger Temple?
Wall Street Journal Thailand's tiger Temple Probed For Links To Animal Trafficking
 CNN: Thai 'Tiger Temple': Five charged with possessing endangered animal parts

As I'm writing this NOW several other news articles are jumping onto this horrific story!


As an artist, I can't even express what tigers mean to many many artists.

For me, personally, tigers always had a special presence to them. In ancient times, people even thought tigers were gods. being in the presence of a tiger is different than other animals. They have distinct personalities, and even enjoy swimming.

Seeing a tiger REALLY stays with you once you've actually seen one even from a distance. I remember the very first time I went to a zoo with the intent of drawing them with other artists in middle school. There were many many animals. But, drawing the tiger has a whole other look, and feel.

Every single time I go to a zoo, or sanctuary, and see a tiger there's just SOMETHING about them. No other animal has that SOMETHING. No other animal can have that vibrancy in art either, which is why I've often drawn tigers in my artwork. It's almost magical, or majestic.


I recall, back in the 1990s, when I was a big fan of Jackie Chan, one of the major animals he was trying to raise awareness over in Asia to protect was TIGERS. they were on the top of the list. And, I even did a painting based on the photo graphics from his old website. 

I hope as not to offend any sense of the tiger lovers here. I've included my artwork as my expression my love for tigers. Please do not conflate the issue as an exploitation of a tragedy to self-promote my work. I'm not even popular at present so it wouldn't make any sense at all anyway.

Therefore, I will not include more than 3 links to my gallery artwork, and just keep them isolated to this blog post. If you wanted to see the full versions of these artworks, you could obviously find them easily on my gallery and searching it there, independently. (I do get questions anyway, if I don't include a link, and if anyone really wanted to find more, its a simple matter of using a search features)

In Honor & Tribute to Tigers:











I think this shows the relevance of WHY we have things like WORLD ENVIRONMENT DAY... and yet, on Social media it's all but forgotten... FB has no intention of showing the holiday whatsoever... ALL THE HARD WORK to promote things like this in my youth, and it seems for naught, and all in vain...

I tweeted to Dr. Jill Stein this morning on Twitter a happy World Environment Day (presidential candidate for the Green Party) and I think even she FORGOT it. :(

That's really sad! Must be all the gun violence and insanity of the GOP and people poisoned from lead in the water that everything is decaying... :(

Here are a few things from Twitter:







I think this makes it more behooving of me to create my film/story because I feel people NEED IT. There's a VERY BIG Environmental and humanitarian moral to my story... altho' it's Fantasy/Sci-Fi it's a vision of what the world actually COULD BE, or COULD HAVE BEEN, NOW. I feel that so many Sci-Fi stories are about The Future or Futuristic... mine is what the world could be NOW, and what is SHOULD BE.... but, I admit, I'm am also making it a different, or alternate reality of this world, and NOT this world.

It is probably a good thing that I will major in philosophy in the fall. Perhaps I need more studies with Immanuel Kant.


BTW, I did log into Care2 today.

Its as if they are the only place left still conscious of things that often matter a lot.



Thursday, April 7, 2016

Frustrated Dragon

I've been tearing apart my home trying to find the original sketched of the ones I have the ugly inked versions of on my old portfolio model sheet.

I honestly HATE the inked versions. But, due to RULES that were supposedly animation industry standards at the time, we have to ink the work. I HATE HATE HATE my inked work.

Also, the instructors made me alter my inked work several times cutting out a lot of details.

Ironically, I still have a lot of model sheets from big companies back then that were rough, sketchy, or uninked work... and, by today's standards including Japan and even 3D or film effects anmiation they no longer have this idea that everything must be inked drawings.

I believe my instructors meant well... at the time, they believed in this ideas of a term they often used in the old Animation Magazines called either "anible" or "animable" depending on who was talking, and yes I sat through countless lectures and animation festivals... basically, it means "able to animate". The concept was that in order to animate something ( i.e. hand drawing traditional animation) that the artwork needed to be simplified. It makes total sense if you think about it, and gives you less work, so you can animate more. this was one of those Holy Grail ideas that people all echoed over & over... but, if you watched Don Bluth films, various Disney Films, and any number of untold independent shorts in any number of festivals, this rules was OFTEN BROKEN.

Yes, it takes a lot of work, and a lot more time, to do something by hand drawing if it has more details... I KNOW THAT. I UNDERSTAND THAT....

And, I "get it" that a potential employer would look at your portfolio and probably want a person whom can mass produce art that is simple, and not "waste time" on details.... but, at the same time, they ALSO want to see what your IDEAS ARE, HOW YOU THINK, and just HOW DETAILED AND SKILLED YOU CAN BE, or ACTUALLY ARE....

With all of the deadlines shoved onto me, and with so many restrictions, I felt I did rather well in meeting their demands... however, specific instructors whom had a visceral hate for women would just make up reasons to fail me.
When the other students had a portfolio done, it was common for other students to want a copy of it from the photo copier. Even my unfinished portfolios, and "failed" portfolios were SO sought after by my fellow students that they would ask me to copy it, in the classroom, even before the teacher even saw them, which might have pissed him off further.

And, whenever I gave a newer version copy to my favorite teacher, he would also make copies because everyone wanted a new copy of mine. And, in a stack of stapled copies of my 'failed" or "unfinished" portfolios would even get requests from other people, whom I didn't even know as either I was making copies, or that teacher.


However, in my opinion, all of the revisions to especially my BEST WORK actually made it less than good. I don;t like it at all.

I prefer my pencil work SO MUCH MORE.

I came to this realization even harder when I worked at Top Cow in 2005 (unpaid) because there were "pencilers", specifically 1 in particular at the time, whom refused to have his work inked, and drew his line work in such a way as to be ink-like. But, his work also had a nice feel to it. A common question was "Who did his inks? Does he do them himself?" because the work was so different looking... and the editor or producer would always strike up a conversation about how that artist refused inking or inkers and that the line work was entirely in pencil.

It was such a common conversation topic that I changed my mind on inking entirely. I was already working on "line quality"anyway... so, why bother with ink?

I also don't like digital inking tools. I HATE THEM.

Anyway, I don't know where some of my sketchbooks from 1999-2001 are because there's definitely many that are missing, and a number of portfolio folders with my punched "animation papers" in them.

I also lost my sculpture of Djehkäujaa.



1 thing I want to point out is that Djehkäujaa has segmented parts of her skin, such as her neck & tail.


My friend Silver Moon Nightwing (Kristen Buckner) often referred to my dragon as "mammalian" meaning "mammal-like". But, actually, I based a lot of her more on dinosaur anatomy/biology

I designed her to have tight yet very flexible skin, but also rough. The reason it's rough is because in flight it will cause micro turbulences, similar to how a golf ball works in flight, or the skin of a shark in water, that causes them to fly faster, in effect gliding better through the air. 

Her skeletal structure is also cartilage and her wings are firm, yet also have a good amount of flex to them.

If you understand the anatomy of bones and skulls, and you understand how lips work or function you can somewhat accurately determine how large lips would be on an animal. There's holes in the skulls specifically FOR the nerves to reach the lips through the skull. It works like this: the larger the hole for the nerves to pass through the skull, the larger the lips will be.

If you look at the skull of a horse, you can see they have a large hole for the nerves, and they also have big lips. If you look at a moose, which has HUGE lips, it has an even bigger hole in the skull where the nerves come out. Canines and felines also have significant lips to grab onto the meat they need to consume. 

I actually took a large interest in this because I sat through a lecture in the late 1990s describing how an Apatosaurus  actually have giant moose lips based on JUST the size of the hole in the skull for the nerves. I also noticed this on other dinosaur skulls as well, and even took a lot more notice of this on animals that were alive today.



That is why Djehkäujaa has large lips. 


In some ways she has some dog-like and horse-like anatomy.

Regarding her "detailed look" I actually disagree. From my perspective, for ME, I have kept her very sleek and simplified FOR ME. She doesn't have grand scales, or tons of horns, or spikes. Despite the grand size, she's agile & nimble.

Her skin also has special abilities to change color or bend light becoming almost invisible. She has vision like an eagle, and posable thumbs. She can read, write, talk, sing, hum, and do many things a human could.

So, when it comes to animating her... I've seen it done many times... there's this THING called ROUGH ANIMATION, and KEY FRAMES.... maybe you've heard of it....

Then, later on, you can do something called CLEAN UP and REFINING...

In fact, most rough animations and keyframes, often get redone ANYWAY....

JUST SAYING....

I do NOT have a problem with trying to animate my own character. FFS have you EVER seen Glen Keane's BEAST character in a film called Beauty & The Beast? He didn't draw it all in 1 day... and other animators also worked on it WITH HIM.

So, calm the hell down.... it's GONNA BE OK...


I know people think they're somehow well-meaning, or that their somehow helping me, or giving me good advice...

I also don't talk about everything regarding her... because it's very extensive, and INSIDE OF MY HEAD... so, you just don't KNOW, and don't SEE all the work and effort, and consideration in it...

Or, there's the people whom think I'm an arrogant uppity person.... just based on something I wrote, and DON'T EVEN KNOW ME.

I already KNOW I'm not the best at everything... and that's not the point.

There is no such thing as a "best artist" only ur own PERSONAL BEST.

I might not be that great today, and certainly not MY BEST today... but, tomorrow is another day...

Tuesday, March 29, 2016

Old Vintage Sketches of Lively 001

I've been going through a lot of my old sketchbook stacks looking for sketches of Djehkäujaa, but Lively is apart of that picture/story. I found a lot of stuff, and, some is terrible. I just want to scan it and show it, or put it out there, to prove its REALLY MINE.

Lively, herself, is is some ways like my own personal "Mickey Mouse", so to speak... to put it in an analogy:

Mickey Mouse is to Disney, 
as Lively is to Kandice Zimbleman/BlackUniGryphon. 




I have been writing stories of Lively even before I even named her. I wrote stories about her in Middle School since at least the 6th grade, often as spooky stories, Halloween stories, ghost stories, or almost Alice in Wonderland or Oz type stories of stumbling into another world, or an unusual circumstance. She was a Disney princess, American Style Marvel Comics super hero/heroine, Star Trek science officer, etc.... But, in some ways she was like me, in the same way that playing with barbie dolls is also an extension of yourself.

I definitely played with Barbie dolls, My Little Pony, She-Ra action figures and I LOVED TO PLAY WITH Teenaged Mutant Ninja Turtles and X-MEN action figures! I had 3 brothers, and my cousins in Pennsylvania were both boys. The only neighbor kids we could play with on my street growing up were also only boys.

It was because of Star Trek TNG and X-MEN then Lively became 2 girls for a long time, throughout Middle School, and early in High School, named Hedrol & Kestrel/Kestra. She also had a friend whom lived in the woods that was named Osprey that was a Hippie that lived in the woods.

By the mid 1990s I felt Kestrel & Hedrol were too unoriginal, and too much like Marvel Comics & Star Trek and I often got nasty criticisms from some boy artists I knew in my town. So, I took out the wild stuff of Kestrel and stuff with the more trendy 90s fashions, yet some earthy adventurousness, and Lively began to really become something for real... at least to me, she was...


Some non-artists in high school, or ones I knew from middle school, would ask me: Who is that girl? 

What girl?

That girl you always draw? 

I thought it was a strange question for a non-artists, and so many of them, to keep having the effrontery to ask me such a thing! Why did she need a name? And, I also felt I clearly drew different girls at times.... 

This annoyed me... and many of my best ideas were things that annoyed me during Spring Break. Every single artistic breakthrough, or new thing I came up with always was during a Spring Break... except for Senior Year in High school...





I've told the story before, but Lively is a person full of life, and this was LONG BEFORE Pocahontas was a Disney film! But, I got the name from the REAL Princess Pocahontas which in her language means "Lively" or "Frolicsome". Or "full of life".

Lively is everyone's friend, a kind person, a strong person, and not held by gender boundaries. IN some ways like what the brand Barbie was meant to be.

BUT, LIVELY IS NOT A BLOND!

Lively, has NEVER BEEN, and NEVER WILL BE A BLOND!

I HATED the idea when I was a kid that BLOND was beautiful! That I wasn't GOOD ENOUGH as just me. I was also a fat kid in middle school.

I happen to think Brunette is BEAUTIFUL.

AND, Lively shall FOREVER be a Brunette BEAUTY. But, I have depicted her in different colored hair: black, brown, dark red, blood red, red brown, purple, blue, dark green, and anything DARK. NO WHITE or BLOND., and NO PINK! NO F@#$ING WAY!



I pretty much kept my hair as either natural or the occasional black in college because I F@#$ING HATED THIS PUSHED IDEA THAT EVERYONE NEEDS TO BLEACH THEIR DAMNED HAIR! Fuck ur chemicals! I grew out my hair long, natural for the most part, and if I ever used color in my hair it wasn't permanent.

Fuck ur made-up marketing slogan "blonds have more fun"!
Because I had more dates, offers, male flirtings, hook-ups and more, and I never once bleached my hair!

I also wasn't racist, and was pretty equal opportunity in dating & hooking up with a diverse amount of men. The whole idea of "the all American" was so disappointing to me... And, yes, I even hooked up with sexy secular Muslim men in college. And, it was rather nice. :)


I kept getting Animation Scholarships at the UARTS in Philly in high school since I was a Sophomore. The animation teacher, Lowel Boston, kept giving me them, and they kept getting bigger and better... they often gave them to me TOO LATE, so I had to wait a semester or whatever.

After having gone almost EVERY SATURDAY (when I was actually enrolled into the classes) I already KNEW all of the Saturday classes' lessons, so I wanted to do my own thing. Many of the students already did whatever they wanted anyway, and the teacher Lowel was fine with that. So, I wanted to actually try to many something. that's when Lively began to really become a permanent thing in my life from then on.

Much of her distinct looks started at the UARTS, or when I was at home, designing stuff for my next projects to work on at the UARTS on the Penciltest Machine!

Animation is the greatest joy of my entire life! 

 Lively also helped me (metaphorically) create Djehkäujaa. Towards the end of high school, I don't know why, but I became SO ENAMORED with dragons! I went through a dragon phase as a little kid for a while, and also in 6th-7th grade.... But, dragons became such a thing with me, that I put them on my clothes, and next thing I knew fashions in 1999-2002 had Chinese dragons all over them for girls/women.

I could already FEEL a setting forming in my mind... and I already had my concept for "Eyewitness" starting... but, I didn't know what to do with it....

When I went to AIPH my friends Shannon & Kyle and their network of friends were all designing characters, and creating all kinds of wonderful things! Then, my characters really started to become a lot more to them.

And, my Character Design class with Don Bluth/Disney Animator, Sam Bullock, really made me develop the characters, and the stories.


Among the many things I wrote for Lively, including "Eyewitness", and the still Untitled Dragon Project, I wrote a little series for her called "Lively's Mini Unicorn" which is actually very funny and cartoonist, but also depicts the free spirit of Lively. I would like to rewrite some of it actually, but also to finish it. It's a totally different story than the Untitled Dragon Project, but a similar setting and place... I could easily see it as a novel series, but also as a manga (Japanese style comic book/graphic novel).

I'd published different versions of the first 3 chapters online on various websites since the early GW Bush era, then rewrote it and added new chapters on my Deviant Art gallery around 2005 or so... I actually really like the basis of the story. Its a mix of a few different influences from the time period, and it's both whimsical, magical, and silly. But, I think I want to remove some of the neo-pagan "spiritual" parts...




















Saturday, March 26, 2016

Dragon Scans (So Far)


Scanning old vintage sketches, character design, and concept art...


I've torn apart my house looking for my old sketches of Djehkäujaa.

In case you haven't noticed yet, she's a dragon. But, she also has a humanoid form, and there's a reason for that.

Unfortunately, trying to find all my of best work of her is very difficult, and have serious trouble trying to find them!

Luckily, I found some of her character design head sketches. 


I've scanned a number of the sketches in high resolution, and I've been cleaning up some, and publishing them to my DeviantArt gallery.













In honor of post the sketches of her her, I'd like to include this song by the German band "Scooter" called "The First Time" which if you listen to the song, the mood is very much an inspiration to this concept work, and her. The mood very much captures some of what I want for my project, in 1 part. Actually, I feel a number of vintage 1990s (Eurodance, techno, trance, electronica) European music (some Japanese inspiration also) inspires me intensely in the creation of this, where as my "Eyewitness" project is more of a UK synth pop music inspiration and some modern fusion stuff from California.

I really loved the old vintage Scooter music, even tho' I believe all of it is good over the years. Their band members have changed a number of times. Usually, their music has the vocals of HP Baxter, but this one does not.

Even tho' I generally have a major major dislike for "Drum N Bass" styles of garage music, this one is more of a Euro Trance style. the mood it has, keeping the composition simple but with layers of sound effects in the arrangement effectively expresses the mood. Also, the female vocal with a foreign accent adds to that haunting & strange yet beautiful mood feeling...

I would also recommend that  if you are not sober, to be careful when listening to this song, because it's a very moving experience that you will not experience while sober.

However, I felt I wanted, and the project its self wanted, to have and make an entirely new and original song in a slightly similar style, but totally new and original. I would prefer my new version to probably be either a 2-step rhythm (dub step) instead of drum n base, or just Psy Trance style with 4/4 beats....

Also, I feel I might like a slight touch of Eastern fusion into it...Scooter had a down tempo single "She's The Sun" which had some Eastern fusion in it... but, a totally different style. t.A.t.U. has a slight bit of that Eastern fusion vibe in the song "Stars"
If you like Eastern Fusion music, you might like Stellamara or their remixes, or Temple Step Project, or Beats Antique. However, I feel this old Scooter track style and mood fit it better than those which are either too hard, too soft, or a different mood altogether.


If the song and the sketches don't seem to make any sense to you, or seem unrelated, or you don;t understand it. let me put it to you this way:

Imagine you were a dragon all of your life, and then you screwed up really bad, and found yourself totally alone in the desolate wilderness like the plains of Mongolia, far away from anything and anyone familiar to you....  bewildered, lost and confused, and even you were not the same.... your body is not the same.... and, you look down into pond of water and see your face, as not your face.... as a different face that you didn't recognize... 

No one to help you, no one to recognize you, and nothing will ever be the same ever again.... not even you. 




Here are the High Resolution Scans that I somewhat cleaned-up.





These sketches here aren't very good. they're very terrible rough doodles, and they also didn't scan very well either, nor clean-up very well for that matter...

























Tuesday, March 22, 2016

Poem Lyrics: I Take It Higher

I Take It Higher
By Kandice Kathleen Zimbleman (Black UniGryphon)
©2016 All Rights Reserved 
Draft Lyrics/Poetry



Gotta reach!
A little further!
Gonna reach!
A little farther!


For myself,
Make a conscious choice!
Come on! 
Make some noise!


Jump-jump!
I jump some more!
Jump-jump! 
Jump off the floor! 

A little higher!
Gonna make it! 
A little higher! 
Time to soar! 

I take it higher!
I make it higher!

*********

Go forth! 
A little Further! 
Reach forth! 
A little farther! 

For myself,
Spun it 'round! 
Come on!
A glorious sound! 

Jump-jump!
I jumped some more! 
Jump-jump! 
Launched off the floor! 

A little higher! 
Gonna make it! 
A little higher!
And now I soar! 

I take it higher!
I made it higher!

It's also published here on DeviantART.


This one is meant to be more percussion/rhythm based. 
I'm not entirely positive about what I want to do with it... but, I have some ideas...

This one is also for my character Djehkäujaa, but probably in her original dragon form. very highly likely as her original dragon form.

Wednesday, February 11, 2015

My Personal Symbolism of the Unicorn: Later Childhood

Tokyo Otaku Mode Inc.
Intro:

When I was a very young child I was very terrible in my school studies and grades. I had A.D.D., but they didn't test for it. They just said I was "learning disabled". This seems a really strange sort of idea, because I was actually very bright, and today among my peers I'm usually referred to as "the smart one", "egg head", "Geek", "nerd", or even in derogatory as "know-it-all". But I was also highly sensitive (and still am). I have acute senses, such as sight, hearing, sense of smell, and taste, and I was a very finicky child, because my sense of taste and smell were so sensitive that I couldn't handle too much flavors in food, or most strong smells, and chemicals in paints, the gasoline stations, and cleaners would make me VERY SICK with extreme headaches, or severe nausea. My parents told me I was "being overly dramatic", but my English Grandmother, my baby brother, my Aunt, and my daughter also have this. I was easily distracted, and my mind is very busy, and fast, while I can often think about several things, without realizing it simultaneously, and also be hyper aware of things around me in detail, such as birds outside the window, cars that I can hear far away but others can't, and tags on my shirts or pants were so irritating to my skin that I had to cut all of them out as a child. My daughter is the same way, but she has ADHD and has a more acute version of what I have.

I also had a VERY major ability, or habit, to day dream. My day-dreams were so real, and so vivid that I could totally "blank out". I was totally awake, and my ears were aware that I could hear things occurring around me, like inside a classroom, and I could see everything, but my attention and focus would become so immersed in my day dreams as tho' it was real life. I actually KNEW the entire time that I was daydreaming, but I would also day-dream about my actual situation within reality, and my imagination would just run away with it. I would day dream about the desks and chairs growing very tall, and we would have our lesson at the ceiling, or that I could go outside with the birds and squirrels, and fly away with them, or that the classroom became a musical. I could sit still, generally, but I could sometimes fidget. But, I could just NEVER get my school work done, ever. Unless a teacher was doing it with me, I couldn't finish anything..... unless it was interesting, like art.On the bus rides to and from school, I would stare out the window and imagine unicorns running along side the bus, or out in the woods, meadows, etc.

I also doodled on all of my worksheets, papers, and notebooks. I didn't draw on my desk like "naughty kids" did, nor in my text books, because that was "naughty" and according to my religion at the time, that was seriously bad & sinful, because it was vandalism. The Sunday schools I had gone to had scared me so badly, so I never drew in any textbooks, or school property, nor any kinds of graffiti, especially if it was communal or public property which belongs to everyone.

When I was a baby/toddler my parents and family often told about how as a child, I never crawled. I just stood up one day, and started walking. It often seems like a metaphor or theme in my life, because at many points in my life, many things were just skipped over, and I found myself doing things people whom were older than me were doing, or people with more experience were doing. That's kind of because I was a prodigy at many things, even tho' I didn't know it. I couldn't understand why I could do things my peers couldn't or even things most adults also couldn't do. Well, in my Kindergarten they noticed some things about me, and when my Mom told them I never crawled, and just stood up & walked, they were concerned, so they made me do lots of trials, tests, and leave my classroom for "therapy" to make me play games to crawl around. It was thought that this would increase my abilities with hand-eyes coordination.However, being that I could draw exceptionally well, I don't understand why they thought this "hand-eye coordination" thing.

Why would they do this? Well, I had trouble with many letters such as the letter "d" and the letter "b". I couldn't always tell them apart. (I also HATE IT when people write the number 2 like a backwards 6.) I used to write my name as "Zindleman" when it's actually "Zimbleman". I couldn't tell the difference until someone pointed it out to me. Also, my acute sense of sight allows me to fixate on objects better than most people, and I have above average eye sight, however I am more farsighted, meaning I can see very well things far away. The muscles in my eyes that people use to read are the muscles I use to visually see every day. Therefore, I read VERY SLOWLY. The speed at which I can read is about slightly faster than the speed of reading out loud... that's slow. (But that doesn't mean I'm "slow" in the mind at all.) Altho' I tend to be very much a "visual learner", I am also, very much an "audio learner". (In fact, one of my favorite things to do while working on my projects, or art projects since the 2000s was to download free audio recordings or Podcasts of lectures from colleges, universities, or various educational audio records or audio books, and have them play while I was doing my art, or projects, because I could easily learn & absorb the information by ear while doing working with my hands, and doing other things. I think anyone could eventually also learn to do this over time.)

Well, all that testing I did, which was rigorous but disguised as games and playtime, was partly to determine whether I was dyslexic. That was in the early 1980s. And, I was tested several times over the years. They determined, officially, that I was not dyslexic. The trouble is all of the tests were visual, and I am an artist. So, naturally, I passed the tests with flying colors. I found out when I was about 17-18 that I actually was dyslexic, but there was no category for what I had. I'd also discovered that many artists were undiagnosed dyslexics. I don't need glasses to read, but I had reading glasses because reading too much can hurt my eyes, and give me terrible headaches when my eyes become exhausted. But, I often read, especially online.

The other thing I loved very much as a child was Science, especially DINOSAURS! I memorized everything I could about dinosaurs, and I could also pick up vocabulary words very easily. (later in my teens I used this skill to learn languages on my own, and to self learn, or self teach) I could learn music very easily, and played violin, and the recorder (a woodwinds instrument), and briefly played guitar in music class.

By the time I was in 6th grade, I was put in a small experimental class, of 3 girls, and 3 boys in which the girls competed against the boys. It was in that classroom that I realized I was actually much smarter than I thought. I also realized I could out-think, and outscore people in science, or debates in social studies.

It was in those classes that we were motivated to do quite a lot of work, but also on our own. Sure, the teachers, and aids were always there to help us, guide us, or nudge us, but I was often motivated to do it all on my own. I'd done things on my own before, but this really put it into perspective, and in a format. I was also on the Honor Roll frequently by then.

One of the assignments we had was to choose a NONFICTION BOOK of ANY TOPIC and to write an entire report on it. 
I was very clever... I liked Unicorns, and I found out there were some Nonfiction books about the folklore of unicorns in historical contexts. 
One of the books was "The Truth About Unicorns" by James Cross Giblin. And, that was when I learned about all the folklore of Unicorns throughout history. (BTW: I got a A++)



LEGO The Lord of the Rings
Empire: Total War - Gold Edition
Folklore: The Unicorn And The Maiden

Since ancient times allegories were very popular. In Europe in Medieval and Renaissance periods these were exclusively only allowed to be of religious meanings. Anything that was previously pagan would be changed to mean Christian, or Biblical meanings. Many symbols included lions, unicorns, dragons, maidens, the sun, the moon, the stars, swords, Holy Trinity, birds, and many other things.

Specifically the Unicorn allegorically represented the Christ, or Jesus, as well as The Holy Trinity.

A common theme was the unicorn, which mentioned in the Bible was fierce & deadly when provoked, but in the lore of the European Unicorn was that it was male, an innocent. If you wanted to catch one, you needed a Virgin, or Young Maiden, to lure and entice the unicorn. Then, The unicorn would see the maiden, fall in love and wander over to her, and fall asleep with it's head in her lap. Once it was asleep, the unicorn was vulnerable, and could be slain, or captured.

Unicorns were known to preform miracles, such as healing all ailments, transmuting poisons and venoms, and purify the air, water, and food. Thus, the alicorns (the horns of the unicorns) were highly prized for it's magical and divine abilities to allegedly do all of these things. (The alicorns were actually usually tusks from Narwhal wales, elephants, or Rhinoceros.)

Ergo, the slaying of the unicorn was fraught with Romance, and Romantic themes of being "betrayed by love", "innocence", or sacrificed to death to heal humans. Songs, poems, stories, and artwork depicting these themes were common at the time, tho' most are lost forever.

Ye Olde Unicorns of Yore, were always white, hence the religious allegory of Christ. The white symbolized the "pure", "purity", "untainted", "sinless", "virginity", "uncorrupted", "innocence".

Unicorns were often depicted alone, wandering around the wild, and could be depicted as gentle, and elegant, but very fierce when attacked. They had VERY long alicorns (horns) which was supposed to represent the connection to God in the Heavens. The tail was like a lion, and the body was dear-like, with cloven hooves, and a head like a horse. They could also be depicted slightly goat-like as well.

The Maiden could represent those things also, but could also represent Mary, whom was the Virgin Mother of Jesus Christ. These themes are full of all kinds of symbolisms, allegories, and meanings. That style was meant to be that way. And, to look into the artwork was to notice all of the things in the pictures which meant many things. This was how they would "teach", or minister to the illiterate masses.

A film from the 1980s was "Legend" by Ridley Scott (my favorite artistic director) which depicts many of these themes. The luring of the unicorn by a Maiden, innocence,  the slaying of a unicorn. Light vs. Darkness, love, etc.


Thus began my own incorporation of this theme into my own artwork. 

Unicorns almost always seem to be associated with young maidens, girls, or even children. Well, hopefully NOW you know somewhat about why. If you want to learn more, you can read the book I mentioned above in the blog entry.

In that same book I also learned about other varieties of Unicorns in various cultures, like China & Japan.

Other books which I found were very good: There was an issue in the mid 1980s of a children's magazine called "Cricket" which had many of these folklore stories about many kinds of unicorns throughout world history including Asia. And a similar book called "All About Unicorns" which was also a hardcover Nonfiction book. (I also wrote another report based on that book about a year later.)

This traditional European white unicorn was very apparent with me, and used quite a lot by me, and I was totally fine by it. But, it started to shift to Black Unicorns. I never thought that would happen because I was religious when I was younger, and the ideas about black vs. white seemed concrete... but, all of that shifted when the symbolisms expanded, and changed...

But, I think I shall save THAT for another entry of it's own.